Nick Ortiz, Saxophonist
Spotify Canvas - DIY

By Nick Ortiz

 

In my latest substack post, I shared my desk job orienting me with new softwares and opportunities to design. Part of my design practice has included using Adobe Firefly to create some spotify Canvases for my first album. While I didn't need it to be anything too complex, I wanted to play with seeing how easy it was to create. You can check out the canvases here. I used a combination of Firefly stock footage (open licensed, not AI-generated slop), color grading, and text shapes to make these canvases. I'm hoping with some time, I can come up with a more complex product for my upcoming album. While I'm no pro at design, I'm proud I was able to DIY something that looks good and fits my aesthetic for that album.

 

A couple quick answers for those wanting to create their own:

Do I have to have the canvas ready at upload?

No! My first album came out a couple of years ago, and as long as you have access to your Spotify Artist account, you can upload or edit those whenever you choose (this is especially beneficial to artists want to plug tour schedules into their music.

Are ther any technical things to keep in mind?

If you check out the specs from Spotify for Aritsts, your canvas has to have a 9:16 Vertical Aspect Ratio, ideally be 720x1080 or 1080x1920 resolution. With those in mind, you have 3-8 seconds to create something that visually accompanies your music. I've seen a variety of content "policies" about what can and can't be on canvases, but some of the artists I follow clearly are not adhering to those rules, so have fun with it!

Is it hard to create?

That's up to you! Most modern video editing applications allow templates that are perfect for Spotify Canvas creation. Some great free options are Clipchamp, iMovie, Canva, Adobe Firefly. How much control you want is what will define the effort/learning curve. If you want something really out there with lots of moving parts, this might be best left in the hands of a pro (hire your designer friends, its cool). 

This post was made to show you that someone with a fair amount of video editing experience (with no academic background in film) was able to make something in a few hours. 

Improvising

 

My training in improvisation comes from a combination of jazz pedagogy and free-improvisation practices taught by students of John Cage and Pauline Oliveros. In cultivating my own practice, I search for inspiration in studying 20th century visual art and natural/cosmic phenomena to realize acoustic and electro-acoustic improvised performances. I have been a member of the Illinois Improviser's Exchange, COLAB: Music and Dance collective, and collaborated with performance painters as a solo artist. In advocating for improvised music, I have co-hosted Salon Impromptu, an initative to create informal concert experiences where musicians and audiences are exposed to exisiting and new compositions featuring improvisation. 

Unrehearsed MKE #115

August 13, 2022

Trio Improvisation

Second half of the set for the 115th iterations of Unrehearsed MKE. Trio combined contemporary, jazz, pop, and classical musics in several short settings for a livestream audience and members of the Bay View neighborhood in Milwaukee, WI.

 

Performers:

Barry Paul Clark - Bass

Steve Gallum - Alto Sax

Nick Ortiz - Tenor Sax

SPLICE Institute Group Improvisation

July 2, 2021

Free-Improvised Sextet

Part of the final performance in the "Art of Improvisation" Workshop facilitated by Popebama (Erin Rogers/Dennis Sullivan). Part of SPLICE Institute 21 (Virtual)

 

Performers: Julia Brooks, Seamus Hubbard Flynn, Jacob Frost, Justin Massey, Connor Scroggins and Nick Ortiz

Night Rain

June 21, 2021

World Premiere

Saxophone and Rain/Thunderstorm

This piece is part of my ongoing project, Water Sketches, which seeks to represent water in different natural contexts. It is in these places I find the most solace. This quasi-improvisatory work is influenced by Pauline Oliveros, Ruth-Crawford Seeger, Claude Debussy, and Philip Glass.

Meditation 1

April 5, 2020

Saxophone and Electronics

A meditation against a palindromic electronics track, reflecting my early, scattered feelings of the COVID-19 Pandemic and its effects on those around me.

Piano Improvisation 1

2018

Piano

Piano improvisation inspired by the music of Justin Hurtiwz, Erik Satie, Sigur Ros, and The Wombats. 

Concentric Circles

2018

COLAB: Music and Dance

Excerpt from performance at Temple Buell Hall at the University of Illinois Urbana-Champaign, Fall 2018.

Ode to the Above

2018

COLAB: Music and Dance

Excerpt from performance at Temple Buell Hall at the University of Illinois Urbana-Champaign, Fall 2018. Composer: Scott Knier